视觉形态下的民国书籍装帧艺术内涵研究

The Connotation of Book Binding Art during the Period of the Republic of China: A Visual Mode

民国时期印刷业和出版业空前兴盛,书籍装帧设计走上了和国际书籍设计相接轨的非传统发展之路。其设计历程,就是书籍装帧设计从传统向现代演变的过程。目前,学术界对民国时期书籍装帧研究主要围绕着"设计、出版、收藏"而进行,文章将从视觉模式入手,对其文化内涵予以深度挖掘和探讨、总结,从而探索民国时期书籍装帧对现代设计产生重要影响的文化艺术内因。

The era history. The design of the Repubhc of China was a period of unprecedented prosperity for printing and pubhshing in of book binding stepped onto the road of non-traditional development which was in line with international book design whose evolution was the process of transformation from traditional mode to modem pattern. At present, the study of book binding in the period of the Repubhc of China mainly revolves around ＂design, pubhcation and collection＂. From the perspective of visual mode, this article will deeply explore and discuss its cultural connotations, so as to explore the causes of its cultural and artistic impact on modem book binding.