摘要
青海海西州民族博物馆新展出的吐蕃棺板画,其A面为"迎宾图",B面为"丧礼图"。棺板画中识别出的疑似本教"法师"图像、献祭之物,与敦煌古藏文文献P.T.1042中有关记载相符,说明敦煌古藏文文献记载的可信。文章认为海西吐蕃棺板画的艺术源头当来自河西走廊汉晋时期的彩绘棺板画,其艺术特征鲜明,是吐蕃时期绘画的杰出代表。
The wooden coffin paintings of Tubo Period were exhibited recently in Haixi State Museum.Its content of A-side is greeting guests,and B-side is funeral.The suspected Benism Master firstly recognized from coffin paintings,and sacrificial materials that coordinates to related records from Dunhuang manuscripts P.T.1042,which testified the fidelity of Dunhuang Ancient Tibetan manuscripts.These coffin paintings,might stem from the colored paintings of Wei-Jin Period in Hexi Corridor,with distinct artistic features,and represented the Tubo Painting.
出处
《西藏民族大学学报（哲学社会科学版）》
CSSCI
2018年第3期48-53,154,共6页
Journal of Xizang Minzu University：Philosophy and Social Sciences Edition
基金
本文系西藏民族大学2011西藏文化传承发展协同创新中心重点课题“唐蕃古道沿线文物遗存考古调查与价值评估”(项目号：XT-ZB201603)的阶段性成果.
关键词
海西州
棺板画
吐蕃
本教
绘画
Haixi State
wooden coffin paintings
Tubo
Benism
painting
