摘要
福寿文化是中华民族生生不息的永恒追求,在长期的社会发展中,福寿文化已经浸染在人民群众生活的方方面面。人们喜爱福寿,崇拜福寿,并将这种心理融入到安庆传统木雕中。以倪府大宅中的花格窗和桐城文庙的福星寿星雀替为例,分析设计者的设计意图以及对福寿文化的理解和应用,表现了福寿文化的广泛性、灵活性,以及极强的社会适应性。
Fushou culture is the everlasting pursuit of Chinese. In the long-term social development, it has been impregnated in all aspects of people′ s lives. People love and worship Fushou culture, and put this kind of psychology into the Anqing traditional wood carvings. Taking the lattice windows in the Ni′ s House and the Fuxing Shouxing finches of the Tongcheng Confucian Temple as examples, this paper analyzes the designer′s design intents and applications of Fushou culture. It also shows the breadth, flexibility and strong social adaptability of the Fushou culture.
作者
窦立亚
戴燕燕
DOU Li-ya;DAI Yan-yan(Chuzhou University,Chuzhou Anhui 23900)
出处
《巢湖学院学报》
2018年第4期77-81,共5页
Journal of Chaohu University
基金
安徽省高校人文社科重点研究基地项目阶段性研究成果(项目编号:SK2015A102)
安徽省哲学社会科学研究基金项目(项目编号:AHSKY2017D66)
关键词
安庆传统木雕
福寿文化
应用
Anqing traditional wood carving
Fushou culture
application