摘要
在红山女神文化大传统中解读熊陶尊的造型意义,就会发现:熊陶尊是女神创世原型的象征符号。熊陶尊的造型形式和它的礼器功能决定它既是女神的象征,又是孕育、创造的象征,更重要的还是重新创世、开天辟地的象征,是女神创世一种神圣的"显圣物"。熊陶尊的女神崇拜文化造型并非是偶然出现的,它是来源于红山文化女性文明模式的,是红山文化女性文明模式派生出来的象征形式。熊陶尊是女神文明的象征符号,它连接着西辽河史前的女神文化模式,因而,它在中华文明起源的时候,就表现出不同于黄河和长江区域的文明内容。
By interpreting Bear Majolica Chalice in the great tradition of the goddess culture of Hong-shan,we find that Bear Majolica Chalice is the symbol of the goddess creation prototype.Bear Majolica Chal-ice’ s form and its ritual function determine that it
is not only a symbol of the goddess,but also a symbol of ges-tation and creation,and more importantly a symbol of re-creation.It is asacred“Relic” .The cultural style of Bear Majolica Chalice’ s goddess worship is not accidental.It is derived from the female civilization model of Hongshan culture and is a symbolic form derived from the female civilization model of Hongshan culture.Bear Majolica Chalice is a symbol of the goddess civilization and it connects the goddess cultural model of the West Liao River in the prehistoric times.Therefore,it shows a different civilization from the Yellow River and the Yangtze River at the origin of Chinese civilization.
作者
杨朴
杨旸
YANG Pu;YANG Yang(Boda College,Jinlin Normal University,Jilin 136000,China;The Open University of China,Beijing 100081,China)
出处
《吉林师范大学学报(人文社会科学版)》
2018年第5期15-22,共8页
Journal Of Jilin Normal University:Humanities & Social Science Edition
关键词
熊陶尊
女神文明
女神创世原型
Bear Majolica Chalice
Goddess civilization
the goddess creation prototype