宗教文化景观的现象学解读——以“华岩八景”为例

The Phenomenological Interpretation of Religious Cultural Landscape——Taking "Eight Sights of Huayan Temple" as an Example

西方现象学理论为解读中国传统宗教文化景观提供了一种"存在性的理解"。基于现象学视角剖析山地寺庙园林营造的禅意匠心,通过对重庆华岩寺相地选址、总体布局、空间序列、八景文化的调研分析,归纳华岩八景生成的自然山水和历史人文物象,探讨其场所实境建构的方式方法及现象学审美体验。用跨文化的思考模式,从自然观、空间体验、风景审美等方面探讨山地寺庙园林蕴含的现象学色彩,总结山地寺庙园林环境营造过程中文化价值要素融于空间物质要素的一般方法,为当下中国本土的宗教文化景观研究提供启示。

Phenomenology in the western world puts forward an ＂understanding of existence＂ to unscramble Chinese traditional religious cultural landscape. Based on phenomenological perspective,this paper analyses zen originality of landscape in Huayan Temple by research on the site-choosing,general layout,space sequence and ＂eight sights＂ culture. It concludes natural landscape and history humanitiesimages of ＂eight sights＂ in Huayan Temple.and discusses method of place construction and aesthetic experience. It also researches phenomenological wisdom of landscape in mountain temple from three aspects that include the Chinese traditional view of nature, space experience and the aesthetic experience of landscape.It concludes general method that puts cultural elements into physical space elements during landscape building in .which provides inspiration to research on religious cultural landscape in China.