论孙毓棠的新诗戏剧化探索

Exploration of Sun Yutang's Dramatization of New Poetry

在袁可嘉的"新诗戏剧化"理论提出之前,孙毓棠就已在无意中开始了自己的新诗戏剧化探索。同时在话剧和历史学领域多有成就的孙毓棠,从话剧演出中领悟了设置戏剧性处境、构筑情节冲突、利用对白与独白等创作技巧,也从历史研究中移植了远取材、远取譬、客观化抒情、注重历史细节考证、采用史诗体式、以人性的历史观打破二元戏剧化模式的写作手段。孙毓棠作为中国现代诗人新诗戏剧化探索中的一个阶段性人物,他的创作从一个侧面佐证了袁可嘉对新诗戏剧化理论进行总结与提升的必要性和应需性。

＂Sun Yutang began to explore the dramatization of new poetry before Yuan Kejia put forwardthe theory of dramatization of new poetry. Sun Yutang also made achievements in drama and historicalstudies. He had a better understanding of drama writing the setting of dramatic situations, the buildingupof plot conflicts, and the application of dialogues and monologues. From his historical research, hesummed up the writing experience： collecting materials from history, stressing the core meaning,expressing objectively and lyrically, true to the historical facts, adopting epic style, and reforming thedualism of drama mode with historical views. A scholar in the exploration of the modern Chinesedramatization of new poetry, Sun Yutang is creation proved the necessity of Yuan Kejia is work on thetheory of dramatization of new poetry.