摘要
亚里士多德认为神的艺术是自然,而人的艺术则被称作为"诗"。诗歌与艺术可产生无限可能性,基于用不同的艺术样式来呈现诗的多重面孔。盐谷直美运用玻璃作为创作载体,将诗中朦胧虚幻的的意境具象化,用视觉去捕捉人生旋律的过程,通过视觉表达对世界的了解,以玻璃艺术来表达诗人情怀。
Aristotle believes that God's art is natural while human art is called "poetry. " Poetry and art produce endless possibilities based on the multiple facets of presenting poetry in different artistic styles. Through glass as the carrier of creation, the misty and poetry can be visualized, , melody of life.
出处
《上海工艺美术》
2018年第2期104-106,共3页
Shanghai Arts & Crafts