“后碳”社会皖北篾器的审美现象和工艺创新

The Aesthetic Phenomenon and Technological Innovation of Bamboo Slices Utensils in Northern Anhui in the Post-carbon Society

"后碳"社会为皖北篾器工艺的生存发展带来了新的传承和创新路径。用现象学的相关概念和内容研究"后碳"下皖北篾器呈现的审美现象和独特的审美内容。从民俗审美、视觉审美、生活审美三个方面分析皖北篾器的审美现象:精编细作的工艺美、韵律节奏共存的图案美、造型美和色彩美。一则可以从审美现象学上传习、创新皖北篾器的视觉影像;二则为篾器的工艺传承和创新带来新的思维触角。

The ＂post-carbon society＂ has brought a new path of inheritance and innovation for the survival and development of Northern Anhui bamboo Slices Utensil’s craft. Using the related concepts and contents of phenomenology, this paper studies the aesthetic phenomena and unique aesthetic contents of bamboo Slices Utensils in Northern Anhui under the post-carbon society. From the folk aesthetic, visual aesthetics, aesthetic life, the aesthetic phenomenon of Northern Anhui artifact is analyzed： the beauty of modeling and the beauty of color coexist with the beauty of craftsmanship and the rhythm of sophistication. We can learn from the aesthetic phenomenology, innovating Northern Anhui bamboo Slices Utensils visual images, bringing new thinking tentacles for the craft heritage and innovation.