重识与重构:战争本体审美视域下的军旅影视

Recognition and Reconstruction of Military Film from the Perspective of Aestherics of War Ontology

军旅题材影视是当代中国文化艺术题材的大热门类。而这种大热,与当代社会迷茫与困惑的情绪焦虑、自省与重构的精神诉求密不可分。在战争本体审美视域下,重识军旅影视,发现其具有"射人先射马,擒贼先擒王"的战争艺术美,"平明寻白羽,没在石棱中"的战争奇迹美和"万箭千刀一夜杀,平明流血浸空城"的战争暴力美,而这种美学意义背后所彰显的精神力量坚定抚慰了当代社会的情绪焦虑,有力回应了当代社会的精神诉求。这对于凝聚时代精神、重塑民族性格具有不可替代的审美意义与精神价值,是当代中国重构精神谱系的重要坐标。

Military movie and TV is a popular subject of contemporary Chinese culture and art. This great heat is inextricably bound up with the spiritual demands of contemporary social confusion and confusion, anxiety, introspection and reconstruction. In the aesthetic view of the noumenon of war, we rerecognized the military and movie and television, and found that the war art beauty of ＂shooting people first and catching the king first＂, ＂plain looking white feather, not in stone＂, the beauty of war miracle and ＂one thousand arrows one night killing, plain bleeding and empty city＂, and the aesthetic significance behind this aesthetic significance The spiritual strength of t he modern society is strong and comforting, and it strongly responds to the spiritual demands of contemporary society. It has irreplaceable aesthetic significance and spiritual value for condensing the spirit of the times and remodeling the national character. It is an important coordinate for the reconstruction of spiritual genealogy in contemporary China.