摘要
《西游记》中孙悟空形象是个性化与类型化的统一。以加入取经队伍为界,他前后表现出争强好胜、叛逆大胆、疾恶如仇等个性。孙悟空身上也有类型化倾向,归属于领袖类型、越礼者类型、作恶者与拯救者类型。二者的统一遵循多重复合、此消彼长、主次有别的原则。孙悟空形象有着多重美感,给读者带来独特的审美体验。
The image of the Monkey King in Journey to the West is the unity of individuation and categorization. Joining the team of pilgrimage is the limit. He has shown himself to be competitive, bold and traitorous, heated evil, and so on before and after. His individuation is highlighted by contrast, support, and metaphor. The Monkey King also has a tendency of categorization. He belongs to the type of leader, rule-breaker, perpetrator and savior. The unity of the two follows the principle of varies, trade-off and the difference from the primary and secondary. The image of the Monkey King has multiple aesthetic feeling, which brings readers a unique aesthetic experience.
作者
海丽
Hai Li(Shaanxi Normal University,Xian 710100)
出处
《陕西广播电视大学学报》
2018年第3期68-71,共4页
Journal of Shaanxi Radio & TV University
关键词
《西游记》
孙悟空
个性化
类型化
Journey to the West
the Monkey King
Individuation
Typology