《大护法》的现代性反思

On the “Da Hu Fa” from the Perspective of Modernism

从短片《黑鸟》(2004年)、《小米的森林》(2009年)、《妙先生》(2012年),到2017年上映的《大护法》,导演不思凡创作大胆,在作品中融入有深度有思考的主题,而且个人风格突出,辨识度极强。《大护法》以其中国水墨画风、大胆的艺术创作、深刻的主题意蕴而引发关注,累积票房8760.1万人民币,成为当年国产动画电影黑马。该片存在电影语言不纯熟、故事细节漏洞、角色性格特征不合理等问题,但电影的主题意蕴确有可圈可点之处。这里将花生人与单向度的人、庖卯与劳动分工、越轨者与闯入者的惩罚,审丑追求与创作得失等方面进行分析阐释。

From ＂Blackbird＂ （2004）, ＂the Forest of Xiaomi＂ （2009）, ＂Mr. Miao＂ （2012） to the 2017 release of ＂Da Hu Da＂, the directorBu Shifan is bold in creation, and the theme of the film is profound and thoughtful; besides, the personal style is evident and very recog-nizable.With its Chinese ink painting style, bold artistic creation and profound theme implication, ＂the Great Protector＂ arouses attentionand accumulates 87.601 million RMB at the box office, becoming the dark horse of the domestic animation film of that year. There aresome problems in the film, for example, the language of the film is not perfect, the details of the story are flawed, and the tcharacter isnot reasonable; nonetheless,the theme of the film is worth noting. The author of this paper expounds peanut man and one dimensionalman, the division of labor, the punishment of deviant and intruder, the pursuit of judging ugliness and the gain and loss of creation.