摘要
《科里奥兰序曲》(Op. 62)是贝多芬英雄风格的浓缩,不仅体现了贝多芬英雄时期的音乐风格、创作手法和思想内涵,更因其特殊的标题化作用和文学性渗透深刻地反映作曲家的创作意图。从音乐与主题形象、音乐与戏剧关系两个方面可对这部序曲加以分析与解读。
Coriolanus Overture ( Op. 62 ) is the essence of Beethoven' s composition with heroic style, which not only pres- ents his music style, creation techniques and connotations of works during his heroic period, but also reflects deeply the composer' s creation intention with a special title and literary integration. This paper aims to analyze and interpret Coriolanus Overture ( Op. 62) in terms of the relations between music and theme image, music and drama.
作者
丁好
郭明妍
DING Hao;GUO Ming-yan(School of Music,Nanjing Normal University,Nanjing 210023,China)
出处
《美育学刊》
2018年第5期52-60,共9页
Journal of Aesthetic Education
基金
教育部留学回国人员科研启动基金项目"18世纪音乐多重性风格研究"(2015021SBJ0089)的阶段性成果