艺术中的“有机力量”与“非有机力量”——德勒兹美学视域下的艺术力量问题探究

“Organic Power” and “Non-organic Power” in Art——An Exploration on Art Power from Deleuze's Aesthetic Perspective

艺术无时无刻不在释放有机的和非有机的两种生命力量,它们的关系是一体两面的"皱褶",两者像是永远共存的两股共同作用的力。根据哪种力量的释放占主导,德勒兹区分了古典艺术与现代艺术。无论是旨在释放有机生命力量的古典艺术还是旨在释放非有机力量的现代艺术,能够使其称之为艺术的,都是艺术家有意或无意在其中体现出的纯粹生命。在这里,古典艺术与现代艺术不是从历史的角度对艺术做出的时间阶段的区分,而是站在价值重估的立场对艺术史做出的重新梳理,甚至是重新创造。艺术的发展在后现代语境中举步维艰,机械复制时代的仿冒者,话语权力笼罩下的场域关系,让艺术走下神坛,开始怀疑自身的真实性与神圣性。在这一背景下,德勒兹给我们的最重要的启示是,艺术存在的目的与价值正在于它对生命力量的释放,由此可以找到实现艺术自觉的方式。

Art is always vibrant with organic power and non-organic power, which are often regarded as two sides of the coin, coexisting as two action forces. In terms of the role of dominance, Deleuze classified them into classical art and mod- ern art, characterized by organic power and non-organic power respectively. However, both of them are termed as art, a pure life represented by artists consciously and unconsciously. The classification of classical art and modern art is not a time division from the angle of history, but a re-analysis, even re-creation, of the art history from the viewpoint of value reevalu- ation. It is true that the development of art has witnessed the difficult time in the Post-modern context, due to the counter- feiters in the age of mechanical reproduction and field relationship fogged in the discourse power. As a result, art has started to descend the divine altar and doubted its truth and sanctity. Under this context, the significance of Deleuze＇ s vision indi- cates that the goal and value of art existence lies in its delivery of life power. In addition, the way of finding a conscious re- alization of art is expected to be discovered.