摘要
《我的个神啊》是由印度U T V影业出品的电影,于2 0 1 5年5月引进中国院线,继"三傻大闹宝莱坞"后又一次在国人中掀起了一股"印度热"。影片既不可避免地流露出了东方主义色彩,同时也呈现了导演一定的反殖民意识。以后殖民理论为切口,对电影《我的个神啊》进行民族寓言式文本细读,进而探讨第三世界电影"出路"问题,是为第三世界电影导演提供有效的创作路径的肯綮所在。
＂My god＂ is produced by UTV film company of India ,which is introduced into Chinese cinemas In may, 2 0 1 5. Following the ＂Three Idiots＂ again after an＂ India boom＂ in Chinese, The film is inevitably showing the orientalism, but also presents the anti-colonial consciousness of the director. National fable type to interpret the film of ＂my god ＂by the colonial theory , And discuss the development issue of the third world films, is the key to providing an effective creative path for third world film＇s directors.
作者
田秒
TIAN Miao(School of journalism and communication,Nanchang University,Nanchang 330031,China)
出处
《海南广播电视大学学报》
2018年第3期44-47,共4页
Journal of Hainan Radio & TV University
关键词
后殖民理论
他者
文化含混性
后殖民女性主义
post-colonial theory
othemess
cultural complexity
post-colonial feminism
