空孤冷逸:渐江绘画的悲情美

Solitude and Coldness: the Tragic Beauty from Jianjiang's Paintings

渐江是明末清初的山水画家,他创造了空境、清冷、静谧、孤寂的画风并将其推向极致,使其山水画具有强烈的象征意义,无论从意境还是技法上都显现出独特的风格。他创造的"家国山河皆空"的悲情图式,构筑了群体在朝代更迭中失落的心理结构,为中国山水画的美学范畴开辟了一种新图式。

Jianjiang was a landscape painter in the late Ming and early Qing dynasties. He created the empty,chilly,quiet and solitary style and pushed it to perfection,so that his landscape paintings possessed a strong symbolic significance,both his artistic conception and techniques displayed a unique style. He created the tragic pattern of ＂disintegrated family and country,as well as ruined mountains and rivers＂,having constructed the group＇s lost psychological structure in the dynasty changes,and opened up a new pattern for the aesthetic category of Chinese landscape paintings.