面向数字人文的馆藏资源可视化研究

Research on the Visualization of Collection Resources for Digital Humanities

[目的/意义]引入"数字人文"的思维,帮助馆藏资源可视化研究摆脱封闭性、内部矛盾性等限制,最终实现馆藏资源可视化的价值。[方法/过程]阐述"数字人文"理论的核心思想,并厘清数字人文与馆藏资源可视化之间的关系,在分析可视化流程的基础之上,设计构建了面向数字人文的馆藏资源可视化模型,并重点介绍了"数据""分析""技术"和"服务"四个模型节点。[结果/结论]将馆藏资源可视化建设置于数字人文研究的大背景中具有重要的意义,不仅为可视化研究提供了跨学科、跨领域的开放、协作的环境,又为相关研究的工作者提供了新的视角。

[ Purpose/significance ] Introducing the thinking of ＂digital humanities＂ into the visualization of collection re- sources can help to break the limitations of closure and internal contradictions in collection resources visualization research, and fi- nally realize its value. [ Method/process ] This paper illustrates the core idea of ＂digital humanities＂, and clarifies the relationship between digital humanities and collection resources visualization. Based on the analysis of the visualization process, the collection resources visualization model for digital humanities is designed and constructed, focusing on four nodes, namely ＂data＂, ＂analy- sis＂, ＂technology＂ and ＂service＂ . [ Result/conclusion ] Studying the construction of collection resources visualization in the background of digital humanities is of great importance, which can provide not only the open and collabrative interdisciplinary, cross-domain environment for the visualization research, but also a new perspective for related research workers.