“女性行侠复仇”故事新变研究——从唐代文献到《聊斋志异·侠女》

Research on the New Changes of “Female Knight Revenge”——From the Literature of the Tang Dynasty to Chivalrous Woman

《聊斋志异》中的《侠女》取材于唐代文献中蜀妇人为父报仇的相关记载,以女性行侠复仇为主线展现女侠的形象。但相对先前的文献记载,《侠女》一文中的女侠形象又呈现出女性化、世俗化、伦理化的新变特征,具体表现为女侠的行侠手段由暴力转向非暴力,女侠的配偶也从边缘走向故事中心,与女侠产生更多的交集。侠文化在女性身上的呈现是一系列女侠故事的内在渊源,具有不同时代风貌的侠文化与女性观造就了从唐代文献记载到《聊斋志异·侠女》"女性行侠复仇"故事新变。同时,唐代文学家与蒲松龄这些不同的创作主体自身经历及内在心理也影响了女侠故事的呈现。

The ＂Chivalrous Woman＂in ＂Strange Stories from a Chinese Studio＂is based on the relevant literature of the Tang Dynasty on the chivalrous woman＇s revenge. The image of the chivalrous woman is displayed on the main line of female revenge. However,compared to the previous literature,the figure of the chivalrous woman in the article also shows some newly feminized,secular,and ethical characters. The concrete manifestation is that the woman＇s knight behaviors turns from violence to non-violence and her spouse also moves from the edge to the center of the story,creating more intersections with the chivalrous woman. The manifestation of chivalrous culture on women is the intrinsic source of a series of chivalrous woman＇s stories. The chivalrous culture and public views of women of different ages cause new changes from the literature of the Tang Dynasty to the article of ＂Strange Stories from a Chinese Studio＂At the same time,the different experiences and internal psychology of the writers of Tang Dynasty and Pu Song ling also influence the presentation of the story of Chivalrous Woman.