论蒲道源与元代巴蜀美学精神

A Study on Pu Daoyuan and the Aesthetic Spirit of Ba-shu in Yuan Dynasty

作为元代巴蜀美学代表人物的蒲道源,一方面他将理学融入先秦儒家的文质观念中,提出"文质不可相胜"而"得中"的观点,旨在通过文艺实现"君子""圣人"人格的成功塑造;另一方面,他在巴蜀道家文化传统的基础上,宣扬"无美无丑""不喜不悲"的审美理想,以通向大道之境、存在之域。此外,他还受到川酒文化的影响,将"醉"引入美学中,并视之为自由、任性的创作方法和超然绝俗的精神境界。

Pu Daoyuan is a famous esthetician of Ba-shu. On the one hand,he integrates Neo-Confucianism into Pre-Qin Confucianism,and proposes achieving success through the balance of form and content. On the other hand,he aspires a kind of aesthetic style and mood of ＂neither ugly nor beautiful＂and＂neither sad nor happy＂on the basis of Daoism tradition in Ba-shu. Another,he regards Drunk as a kind of free artistic creation method and transcendent spiritual realm,which is effected by deep-seated spirits culture of Ba-shu.