“花儿”隐喻义生成和建构的多维性——兼论隐喻义生成和建构的多维向度及其理论根源

Multi-dimensions of the Generation and Construction of Metaphorical Meaning in Hua’er——On Multi-dimensions and Theoretical Essence of the Generation and Construction of Metaphorical Meaning

“花儿”是流传于中国西jE地区的回族民谣，为联合国非物质文化遗产。本文在简要回顾隐喻认知研究状况的基础上。通过建构隐喻义生成的认知模型，探讨隐喻义多维向度性的理论根源及其内在关联性，据此对“花儿”隐喻义生成和建构的多维性进行理论阐释。分析表明，“花儿”为隐喻义生成和建构的多维性提供很好的语言范例。本文的理论价值和意义在于：（1）指出隐喻义生成和建构的3种体验向度：施为互动体验性、交互主观体验性和主观体验性；（2）分析隐喻义生成和建构多维向度性的理论根源：源于人类身体-环境元互动ICM的次范畴化（主-客互动基本ICM、主-主互动基本ICM和客-客互动基本ICM）在语言层面的语义实现。

Hua＇er, a kind of folk songs in the Northwest of China, is an UN intangible cultural heritage. In this paper, based on a brief review on the cognitive study of metaphor, we firstly construct the cognitive model of metaphorical meaning generation, then point out its multi-dimensions and theoretical essence, and finally make an explanation of the multi-dimensions of the generation and construction of metaphorical meaning in Hua＇er. The result shows that Hua＇er is a typical language example for explaining the model we construct. The theoretical value and meaning of the present study is that we point out （ 1 ） three kinds of embodiment dimensions： agency-interactive embodiment, inter-subjective embodiment and subjective embodiment; （2） metaphorical meaning stemming from the semantic realization of the sub-categorization （subject-object interactive ICM, subject-subject interactive ICM and object-object interactive ICM） is related to meta-interactive ICM of human body and environment at language level.