创伤、视角与声音:《上海女孩》的女性创伤叙事解读

Trauma,Perspective and Voice: A Traumatic Interpretation of Shanghai Girls from the Perspective of Feminist Narratology

《上海女孩》是一部女性主义叙事和创伤叙事特征非常突出的小说。邝丽莎采用第一人称回顾性视角和华裔女性的声音，讲述一对华裔移民姐妹经历的性别、战争、家庭、文化和种族等各类创伤事件。本文尝试从女性创伤现象和创伤叙事视角解读发声与创伤的关系。得出以下结论：声音与创伤具有紧密的关系；叙事视角在创伤叙事中具有不可替代的作用并传达出叙述者的伦理立场；《上海女孩》成功地运用创伤叙事，在体现作者关注华人女性命运的同时．为当代华裔美国文学研究提供新的解读视角。

Feminism and traumatic narrative are overt features in Shanghai Girls. In the first person retrospective point of view and Chi- nese American women＇s voices, Lisa See tells a story of two Chinese immigrant sisters who suffered from a series of gender, war, family, culture and race traumatic events. This paper intends to interpret the relationship of voice and trauma from the perspectives of feminist narratology and traumatic narrative. It draws three temporary conclusions. There appears a close relation between voice and trauma. Perspectives play irreplaceable roles in traumatic narrative and convey narrators＇ ethic stances. Traumatic narrative is successfully employed in Shanghai Girls. It not only displays See＇s concern about Chinese American women, but offers a new interpretive respect for the study of contemporary Chinese American literature as well.