论成山时期王苹诗歌作品的创作倾向与诗风

On the Writing Tendency and Poetic Style of Wang Ping's Poems in the Chengshan Period

王苹是清代山左诗派的重要代表人物,他思想活跃,且一生致力于文学创作。任职成山时期王苹创作了大量的诗歌作品,文学思想也发生了改变。这一时期,王苹诗歌的题材以咏物诗和咏怀诗为主,并且在诗歌中巧妙运用了用典、象征、比喻等艺术手法,丰富了诗歌的艺术特色;同时王苹诗歌的风格也完成了由来成山之前的"神韵之悟"向之后"幽咽惨淡"的嬗变。

Wang Ping was an important representative of Shanzuo school of poetlT in the Qing Dynasty. He was active in the thought and devoted all his lifetime to the literaU creation. During the time when he took office in Chengshan, he created a large number of poems and his literaU ideology changed greatly. In this pe- riod, the themes of his poems were mainly about ＂object＂ and ＂heart＂, and he made the clever use of such artistic techniques as allusion, symbolism, and metaphor that could enrich the artistic feature. At the same time, the change of poetic style was finished from ＂the enlightenment of romantic charm＂ to ＂whimpering bleakness＂ before and after he came to Chengshan.