摘要
藏戏自2006年列入联合国教科文组织非物质文化遗产名录以来,在政府政策的大力支持与及资金保障下,藏戏在传承与保护方面取得不错的成绩。藏戏作为一种戏曲,虽是藏民族的传统文化,但在娱乐多样化的今天,要更好地传承下去,仍困难重重。文章阐述了藏戏的起源与发展,探讨了民间剧团在传承与保护藏戏方面所做的努力以及现状和存在的问题,并提出了相应的对策。
Since Tibetan Opera was included in the UNESCO Intangible Cultural Heritage Listin 2006, it has achieved good results in inheritance and protection with the support of governmentpolicies and financial support. As a kind of opera, Tibetan opera is a traditional culture of theTibetan people. However, in today's entertainment and diversification, it is still difficult to passon. The article expounds the origin and development of Tibetan opera. This paper probes into theefforts made by the folk troupes in inheriting and protecting Tibetan operas as well as the currentsituation and existing problems, and puts forward corresponding countermeasures.
作者
贾丽
JIA Li(Institute of Ethnology,Xizang Minzu University,Xianyang Shaanxi 712082,China)
出处
《遗产与保护研究》
2018年第9期103-105,共3页
Research on Heritages and Preservation
基金
2013年西藏民族大学青年项目"西藏传统文化与和谐社会构建研究:以藏戏为例"(13MYQ09)
2015年西藏民族大学国家民委西藏社会经济与文化发展研究基地项目"西藏非物质文化遗产藏戏的传承与保护研究:以民间剧团为例"(GMJD1502)
关键词
西藏
非物质文化遗产
藏戏
传承
保护
Tibet
intangible cultural heritage
Tibetan opera
inheritance
protection