生态美学理论与方法的元创性追求——袁鼎生教授访谈录

In Pursuit of Meta-creative Theory and Method for Ecological Aesthetics:An Interview with Professor Yuan Dingsheng

生态美学是生态文明时代的前沿审美理论,对社会观念转型与生态文明建设具有推进性意义。袁鼎生教授长期致力于生态美学研究,构建了具有元创性与系统性的生态美学理论与方法,成为中国生态美学领域的代表性学者与领军人物。他所创生的"审美生态观",被称为中国最具代表性的生态美学观之一。他所引领的生态美学研究团队,被称为生态美学研究的南方学派。袁教授的生态美学研究始于20世纪90年代的桂林山水研究,出版了"大桂林旅游审美书系"。2000年以后,他转入以审美场为核心范畴的审美生态研究以及生态方法研究,出版了《审美生态学》(2002)、《生态视域中的比较美学》(2005)、《生态艺术哲学》(2007)、《生态批评的中国风范》(2009)、《超循环:生态方法论》(2011)、《整生论美学》(2013)、《天生论美学》(2017)等十多部学术专著,在《文学评论》《哲学动态》等刊物发表学术文章100多篇,从逻辑、历史、应用、元学科、比较五维系统构建生态理论与方法,在不断丰富完善中实现了理论的圈进旋升。他所创生的依生、竞生、整生、美生、自旋生等学术范畴,具有元创性与普遍性的理论价值,被越来越多地运用到生态美学研究中。付小月以生态美学理论与方法的元创性研究为核心,对袁鼎生教授进行了系统的学术访谈。现将访谈内容分享如下:

Professor Yuan Dingsheng has long been committed to ecological aesthetics research, has systematically constructed the theory and method of ecological aesthetics with meta-creation, and has thus become a representative scholar and leader in the field of ecological aesthetics in China. His "aesthetic ecological view" is regarded as one of the most representative ecological aesthetics views in China. Professor Yuan's ecological aesthetics research dates back to his Guilin landscape research in the 1990 s when he published a series of books on "Great Guilin Tourism Aesthetics". Since the 2000 s, he has turned to the aesthetic field,and by doing aesthetic ecology research as well as ecological method research, he has published Aesthetic Ecology, Ecological Vision of Comparative Aesthetics, Ecological Art Philosophy, Super-Cycle: Ecological Methodology, The Aesthetics of Self-sufficient Ecology, The Aesthetics of Nature Spin & Genesis and many other academic monographs. What's more, in Journals like Literary Review, Philosophical Dynamics and other publications he has published more than 100 academic articles. From constructing the five-dimension system of logic, history, application, metacognition and comparison to building the ecological theory and methods, he has constantly enriched and improved the theoretical research. He has also created the academic categories of attached survival, competitive survival, self-sufficient ecology, unified existence, and the law of cycle with the theoretical value of meta-creation and universality. By his consistent study of ecological aesthetics, he has made significant theoretical contributions to the development of contemporary ecological aesthetics.