摘要
当前中国生态小说大多注重赋予事物以原始神秘特质,这种赋魅书写已成为普遍现象,但其中背离生态理念的赋魅失当问题却很少被觉察与解决。即便是生态自觉意识较浓厚、生态创作经验丰富的叶广芩的生态小说也未能避免,存在诸如气象赋魅的消极基调、动物形象塑造的超人性、人性生态赋魅的失当以及由此引发的生态主题淡化与矛盾等问题。以叶广芩生态小说中种种具有普遍性的赋魅书写为主要观照对象,剖析其中对自然与人性的赋魅失当问题,能够为中国生态小说创作的发展改进提供一定的参考指向。
The fact that most of Chinese contemporary ecological novels focus on endowing things written with primitive and mystical characteristics has already become a common phenomenon, but the problem of inappropriate enchanting in writing that deviates from the ecological ideas is rarely perceived and solved. Even Ye Guangqin, who is highly aware of ecological issues and fairly experienced in ecological writing, can't avoid the problem in her novels that expose such flaws as the negative tone of enchanting meteorology, the super-humanity of enchanting animal characters, the inappropriateness of enchanting human nature, and the ensuing weakening and contradiction of the ecological theme. This paper focuses mainly on the various and commonly seen forms of enchanting in Ye's ecological novels,and specifically analyzes the inappropriateness of enchanting nature and humanity with an aim to offer reference to the development and improvement of contemporary Chinese ecological writing.
出处
《鄱阳湖学刊》
2018年第5期99-104,共6页
Journal of Poyang Lake