从平面构成的角度解析黄秋园后期山水画:兼谈其平面化

Analysis of Huangqiuyuan's Late Landscape Painting from the Angle of Plane Composition: Also on Its Planarization

从平面构成的角度解析黄秋园后期山水画作品,兼谈其平面化,是对其作品中的平面构成元素、构成关系以及平面化风格进行深入探讨,既能有助于揭示平面作品的创作方法、创作规律、创作目的,又能研究艺术家思想情感的表达和艺术语言的发展。黄秋园后期山水画作品立足于传统却在艺术表达的语言上和平面元素的构成关系中体现了很强的现代构成感和设计感。这说明即使是从传统中来,只要取舍得当,一样可以创造出独特的风格,给中国传统绘画带来崭新的面貌。

From the angle of plane composition, the analysis of the late landscape painting works in Huang Qiu garden and its planarization are discussed in depth, which can help to reveal the creation method, the law of creation, the purpose of creation, and the expression of the expression of the emotion of the artist. As well as the development of the art language, the late Huang Qiu garden landscape painting works, based on the tradition, embodies a strong sense of modern composition and design in the relationship between the language of art expression and the elements of plane elements. This shows that even from the tradition, the unique style can be created as long as it is properly taken up. Chinese traditional painting brings a new look.