摘要
由于特殊的地缘政治关系,俄罗斯成为在特定历史时期吸收和获取西方近现代文明的一条重要渠道。俄罗斯绘画艺术对中国的传入与影响就是在近现代东西方文明交汇碰撞这一历史大背景下发生的。从《恰可图条约》后第一位来华的俄罗斯传教士团随行画家,到苏联十月革命后流亡的俄侨画家在中国开展的艺术活动,再到20世纪50年代中国美术的全盘苏化,直至苏联解体后俄罗斯绘画艺术在中国影响力的消退。从一个侧面折射出近现代以来中国社会的曲折发展与文化变迁。
Due to the special geographical and political relations, Russia is reckoned as the important channel for absorbing and acquiring western modern civilization in a certain historical period. The introduction and infuence of Russian painting art in China take place in the historical background of the convergence and collision of eastern and western civilization in modern times. The tortuous development and cultural change of Chinese society since the modern times can be refected from these aspects: from the frst painter in Russian missionaries in China since Treaty of Kyakhta, to the art activities conducted by exiled Russian overseas painters after the October revolution in Soviet Union, to the overall Sovietized Chinese fne arts in the 1950s, till to the declining infuence of Russian painting art in China after the collapse of the Soviet union.
作者
袁俊华
Yuan Junhua(School of Art,Taizhou University,Taizhou 225300,China)
出处
《黑河学院学报》
2018年第9期191-193,共3页
Journal of Heihe University
关键词
俄罗斯
绘画艺术
俄侨画家
Russia
art of painting
overseas Chinese painters