从“绍兴八记”看刘基山水游记的唐宋之风

Analyzing Tang and Song Dynasty Literary Style of Liu Ji's Landscape Travel Notes from “Eight Notes in Shao Xing”

刘基是元末明初的著名文人,散文创作成就大,其山水游记篇目不多,以羁管绍兴所作一组"绍兴八记"为优,在充斥着浮艳之风的元末文坛中别具一格。作品中体现出的形神兼备、意境幽美,颇有柳州之意;平淡自然、由理入情,语言质朴、不乏明丽,又具宋代风采。而这些文学风格的形成主要与刘基理气并重的散文观、豁达的胸襟和对山水的向往及工诗善画密切相关,正是在多种因素的综合作用下,成就了刘基的山水游记——《刘基文集》中的一道亮丽风景,对后世尤其是明代复古运动影响深远。

Liu Ji ,who made gTeat achievements in prose, was a famous literaRY scholar at the turning of Yuan and Ming Dynasties. He did not have many landscape travels titles. Eight Notes in Shaoxing , which was wrote at Shaoxing, has a unique style at the literaRY circles in the later Yuan Dynasty when there were full of ornate styles . In the works, both the shape and spirit and the artistic concep- tion are beautiful. It has the meaning of Liuzhou; plain and natural, sentimental, plain language, no lack of bright, and also with the style of the Song Dynasty. The formation of these literary styles is closely related to Liu Ji＇ s ethical emphasis on prose, open - minded- ness, and longing for landscapes and poetic paintings. It is under the combined effects of various factors that Liu Ji＇s landscape travels notes have been accomplished. - A beautiful landscape in ＂Liu Ji Collected Works＂ has far- reaching influence on later generations, especially the Ming Dynasty retro movement.