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《经典咏流传》的审美文化评析 被引量:1

An Analysis of the Aesthetic Culture of Classical Chanting
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摘要 央视推出的大型诗词音乐文化节目《经典咏流传》自播出之日就引起热议。运用审美文化研究的基本理论和方法对节目进行解读和分析,主要从审美主体的多元互动、审美客体的多层融构和审美体验的深度回应三个方面入手,详细评析节目中的审美主体、审美客体以及与审美体验相关的美学概念。以期更好地传承诗歌经典、弘扬审美文化。 CCTV's large-scale music and cultural program Classic Chanting has aroused heated debate since its broadcast. This article intends to use the basic theory and method of aesthetic culture research to interpret and analyze the program, mainly from three aspects:the multi-interaction of the aesthetic subject, the multi-layer fusion of the aesthetic object and the deep response of the aesthetic experience, to make a detailed evaluation of aesthetic concept related to the aesthetic subject, the aesthetic object and the aesthetic experience in the program. Its purpose is to enable us to better inherit the poetry classics and carry forward the aesthetic culture.
作者 白亭亭 张向东 BAI Ting-ting;ZHANG Xiang-dong(School of Liberal Arts,Northwest Minzu University,Lanzhou 730030,China)
出处 《兰州文理学院学报(社会科学版)》 2018年第5期125-128,共4页 Journal of Lanzhou University of Arts and Science(Social Science Edition)
关键词 经典咏流传 审美主体 审美客体 审美体验 Classical Chanling aesthetic subject aesthetic object aesthetic experience
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  • 1俞剑华.中国古代画论类编[M]人民美术出版社,2000.
  • 2陈鼓应 注.庄子今注今译[M]中华书局,1983.
  • 3沈子丞.历代论画名著汇编[M]文物出版社,1982.

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