摘要
鄂州万隆村村碑,试图通过静态的"框景"与动态的"换景"解释聚落建筑本身起源扩张至消亡的生命历程,"框景"将山水画中的写意转译为建筑上的抽象,"换景"运用单体建筑墙体收头与交接寻求建筑运动的可能。前者概括鸿篇巨著的传统聚落,后者探讨其变化无穷的渊源。一框一换,一动一静。动静之中,摸索当代乡建的营造法则。
The monument of Ezhou Wanlong Village, with static "frame" and the dynamic "scene change" interpretation of the origin of building itself, we try to expand the death of the life course. "Framed" landscape painting will be translated into architectural abstracts, the use of single building wall and the transfer of the possibility of seeking construction. The former summarizes the traditional settlement of the great masterpiece, which explores its infinite origins. One frame for a change, a move a static. Move among the founding of contemporary rural construction to create the law.
作者
谢龙
沈乐
Xie Long;Shen Le
出处
《华中建筑》
2018年第10期109-112,共4页
Huazhong Architecture
基金
华中科技大学院系自主创新基金资助项目(编号:2016YXZD013)
关键词
框景
换景
写意
收头
Frame
Scene change
Freehand
Shou tou