延安时期木刻创作的艺术形式探究

A Study on the Artistic Forms of Woodcut Creation in Yan'an Period

美术创作的本质是围绕形式与内容展开,形式是作品的表现语言,内容是描述的主体体现。延安时期作为中国革命史上的一段特殊时期,这一时期创作的木刻作品受时代环境影响,具有典型的时代特征。从艺术形式本质的角度看,其创作动机是遵循这一特殊时期文艺为政治服务的根本原则。革命文艺的服务意识和大众化普及教育的指导方针,使得木刻创作呈现出以现实主义倾向为主导的表现形式。在美术创作本体语言的探索上,这一时期木刻创作以直观、简约的现实主义观照和借鉴、融合的语言探索来呈现其艺术形式。

The essence of art citation revolves around form and content, among which,form is the expression language of works, while content is the main body of description. As a special period in the history of Chinese revolu- tion, woodcut works during Yan＇ an period followed the basic law of artistic creation, paid close attention to the up- surge of the time, and developed into a typical revolutionary literally and artistic art under the influence of this special era. From the perspective of artistic form essence, its creative motive was to follow the fundamental principle that literature and art should serve politics in this special period. The service consciousness of revolutionary litera- ture and art and the policy of popularizing education in a popular style made woodcut creation present a pattern of manifestation dominated by realism. In terms of exploration of the ontology language of artistic creation, woodcut creation in this period presented its artistic form with intuitive and simple realism and language exploration of reference and integration.