青年钱锺书“安身立命”的诗魂存根——打通《槐聚诗存》与《谈艺录》的深层经脉

Lyrics of Worries:The Writing Motive of TanYiLu Hidden in Young Qian Zhongshu's Poetry

文章拟有两个看点。其一,从青年钱锺书1939-1942年间的旧体诗,考辨他当年孤苦撰写的《谈艺录》确属"忧患之书",其忧患程度不亚于钱穆1939年脱稿的《国史大纲》或陈寅恪1940年杀青的《隋唐制度渊源略论稿》。其二,在方法论意义上,把《槐聚诗存》视为印证钱锺书学案赖以发生的直接心理动因的"押韵的文献",于是那个驱动《谈艺录》作者在艰难时世发愤著书的"内在动力机制"也就浮出水面,此即:从"自期(吾甘殉学)"→"自负(萧然冷屋)"→"自律(萤光自照)"→"自居(孤岛谈艺)"。这既是钱1940年前后撰《谈艺录》的心路历程,也是钱"三十而立"学人信仰的诗魂存根。

This paper,through the study of young Qian Zhongshu＇s poetry from 1939 to1942,proved that Qian wrote TanYiLu with an urgent sense of worry.Besides,it proved that,in terms of methodological significance,the book HuaiJuShiCun was a ＂rhyme literature＂to sneak into the＂Intrinsic Motivation Mechanism＂of the author of TanYiLu（self-expectation→self-pride→self-regulation→self-settlement）,which was not only the process of his TanYiLuaround 1940,but also the poetry stub of his 30-year-old scholar time.