论北魏时期飞天造像审美风格的演变

The Stylistic Evolution of the Image of the Flying Figure in the Northern Wei Dynasty

北魏时期飞天艺术审美风格的嬗变是中国佛教造像艺术审美范式形成的典型代表和关键阶段。以北魏时期飞天艺术形象的形成和发展为切入点，探讨飞天形象的传播进程和特点，从造型、服饰、色彩、构图形式等方面全面阐述北魏时期飞天艺术风格的审美意涵，有利于更深入地探究飞天艺术风格在北魏早期和中晚期审美范式的变迁过程。中国佛教造像艺术的传播与发展，多源文化的互渗与交融，时代精神的塑造与追求合力推动了北魏飞天艺术风格的审美中心转移和时空上的双重性演变。

This paper discusses the artistic formation and development of the flying image in the Northern Wei dynasty, focusing on the changes of modelling, clothing, color, composition form, analyzing the changes of the aesthetic pattern of the flying image in early and middle Northern Wei dynasty. It points out that communication and development of Buddhist ideas and the statuary art, the integration of multicuhural creation in the Northern Wei dynasty jointly promoted the aesthetic shift in space and time.