摘要
废名在其后期代表作《桥》中,使用多种创作技巧,以断层的语言、佛学的感悟、冲淡的情感表达,刻意地消解了小说人物的主体意识,达到内在思想的谐和,进而传达出世界本身的精神内涵。
In his late masterpiece "Qiao" , Fei Ming used a variety of creative techniques: fault language, Buddhist sentiment, and dilute emotional expression. In this thesis, Fei Ming deliberately dispels the subjec- tive consciousness of the characters and reaches the harmony of the inner thoughts, conveying the spirit of the world itself.
作者
孙健风
SUN Jian-Feng(Nanjing Normal University,Nanjing Jiangsu 210024,China)
出处
《襄阳职业技术学院学报》
2018年第5期130-132,共3页
Journal of Xiangyang Polytechnic