明式家具设计中的造物思想研究

Idea of Creation in Ming-style Furniture Design

目的中国古代的造物艺术思想既包括造物过程中生产者的设计思想,还包括使用者的处世哲学,它蕴含着人造物被制造出来之后所传递的人文思想和文化内涵。本文从明式家具的设计为切入点,分析其中所包含的造物思想与文化内涵。为深层次理解明式家具,传承与发展古代造物思想提供一定的理论依据。以中国明式家具的造物艺术思想作为考察对象,目的在于通过考察存在于传统工艺美术品类中的造物思想,来揭示造物艺术的文化内涵。方法首先对文人参与的明式家具设计进行概述,接着从选材、造型、结构和尺度等方面分析明式家具设计的造物思想,然后归纳、剖析传统家具设计中蕴含的文化内涵。结论研究结果既有助于凸显家具中的文化元素,加深对明式家具的认知,又能够为新中式家具的设计创新提供重要参考。

The ancient Chinese idea of creation art includes both the producer＇s design ideology embodied in the creation process and the user＇s philosophy of life, because it contains the humanistic ideology and cultural connotation conveyed after the artifacts are created. Starting from the design of Ming-style furniture, the creation thoughts and cultural connotations contained therein are analyzed herein. It provides a theoretical basis for the deep understanding of Ming-style furniture, and the inheritance and development of ancient creation ideas. With the creation art idea of Chinese Ming-style furniture as an object of study, the work aims to reveal the cultural connotation of the creation art by examining the creation thoughts existing in traditional arts and crafts categories. Firstly, the design of Ming-style furniture in which the literati participated was summarized herein, and then the creation ideas of Ming-style furniture design from the aspects of material selection, modeling, structure and scale were analyzed, and then the cultural connotation contained in the traditional furniture design was summarized/analyzed. The research results not only help highlight the cultural elements in furniture, deepen the awareness of Ming-style furniture, but also provide important references for the design and innovation of new Chinese-style furniture.