现代主义之后的建筑意义追问——基于现象学的视角

The Architectural Meaning after Modernism ——Based on Phenomenological Perspective

20世纪建筑文化虚无主义和千篇一律的国际风格的影响使建筑设计变成了概念的游戏,同时人的生活又是那么的细致与具体,城市无止境蔓延,建筑名词与符号的堆砌却与生活渐行渐远。在现象学思想的语境中,个体的具体经验所形成的知识不是由抽象的概念或规律决定的。正是基于这些认识,现象学试图研究人类的经验,以及在这种体验中事物是如何呈现给我们的,同时,它开始重新思考人类的存在和与外部世界的联系。本文藉由建筑现象学的视角再次思考建筑与人的关系,试图从人的生活为原点来考察建筑,使其能与心灵更贴近,实现建筑与人的＂内外交融＂。

The influence of the architectural culture nihilism and stereotyped international style in the 20 th century has made architectural design into a conceptual game. At the same time, human life is so meticulous and concrete,the city has spread endlessly,and the building terms and symbols have piled up and become more and more life-like. Go farther.In the context of phenomenological thought, the knowledge formed by individual specific experiences is not determined by abstract concepts or laws. It is based on these understandings that phenomenology attempts to study the human experience and how things are presented to us in this experience. At the same time, it begins to rethink the existence of mankind and its connection with the outside world.This article reconsiders the relationship between architecture and humans from the perspective of architectural phenomenology, tries to examine the architecture from the point of view of human life, enables it to be closer to the soul, and realizes the ＂internal and diplomatic fusion＂ between architecture and human beings.