摘要
"直接电影"与"真实电影"是纪录片发展史上两个重要流派,二者之间虽存有明显不同,但既有研究却未将其剖析透彻,使得不少学者和纪录片创作者常常在理解中陷入似是而非的困境.从现有对二者异同的讨论来看,上述问题产生的主要原因是研究者偏重对创作理念的分析,在一定程度上忽略了对实现手法和技巧的关注,因而不能将创作理念与具体作品统合起来.从"理念"与"实现"两个维度,对"直接电影"与"真实电影"展开对比分析,以更清晰地展示二者之间的区别与联系.
"Direct cinema" and the "real movie" are two important genre, documentary history between the two entities are obviously different, but the former researches do not provide a thorough analysis, which often makes many scholars and documentary creator hard to understand. From the existing discussions on the differences, the main reason is that the researchers focus on the analysis of the creation concept, and to a certain extent, ignore the implementation techniques and skills. Therefore they cannot integrate the creative ideas and specific work. From the two dimensions of "idea" and "implementation", a comparative analysis to the "direct cinema" and the "real movie" can clearly show the differences.
作者
彭涛
PENG Tao(Literature and Journalism School of Chengdu University,Chengdu Sichuan 610106,china)
出处
《四川文理学院学报》
2018年第5期115-120,共6页
Sichuan University of Arts and Science Journal
关键词
直接电影
真实电影
创作理念
制作技巧
direct film
real movies
creation philosophy
production techniques