舶来与移植——关于清代邮票“九宫图式”的图像解析

Import and Transplantation——The Image Analysis of the “Nine-rectangle-grid” Schema of Stamps in the Qing Dynasty

潘诺夫斯基认为对于历史上曾出现的图像志应从前图像志描述、图像志分析、图像学解释三方面展开论述,本文依据这一理论对清代邮票设计中所普遍采用的"九宫图式"进行研究,认为清代邮票的图式直接挪用西方邮票中的"九宫图式"或在"九宫图式"的基础上进行变化,在"学西"观念和"中体西用"思想的相互作用下,使得清代邮票设计在照搬、模仿西方邮票图式布局的同时又体现出清代特有的艺术特色,具有典型的移植特征。

The famous German scholar Panofsky believes that the image iconography in the history is expected to be studied from the three perspectives of former iconography description, iconography analysis and image interpretation. Based on this theory, this paper focuses on the stamp design in Qing Dynasty when ＂nine-rectangle-grid＂ was commonly used and finally draws a conclusion that the stamp schema in Qing Dynasty directly imported ＂nine-rectangle-grid＂ from the West or made a change based on that; Due to the interaction between ＂Learning from the West＂ and ＂Chinese essence and western utility＂, the stamp design in Qing Dynasty embodies the unique artistic characteristics and is characterized by typical transplantation in the process of copy and imitation.