敦煌壁画音乐图像中的乐器形制创造和音蕴表现——以琵琶图像为例

In the music image of dunhuang fresco, the creation of musical instrument's shape and sound implication——taking pipa image as an example

本文择取敦煌壁画与音乐相关的图像中的琵琶图像进行解析,从历代壁画中琵琶的演变轨迹和图形表现入手,通过经典范例探寻民艺造物和民族绘画共构融合的理念、方法和精粹元素。从与音乐相关的图像在藉物生韵的表现方式和效应上,探究音乐和绘画在美学形式上的共通性。

In this paper, the pipa image in the music image of dunhuang frescoes was selected for analysis. Starting from the evolution track and graphic expression of pipa in the frescoes of the past dynasties, the idea, method and essence elements in the synstructure fusion of folk art creation and national painting were explored through the classic examples. From music images in the form of expression and effect of the rhyme by things, explore music and painting in the common aesthetic form.