董其昌对晚明青绿山水画发展大转变的作用

Dong Qichang and Art Reform of Landscapes in The Late Ming Times

晚明开始,由董其昌引导的文人画群体对青绿山水画进行了一场大变革。青绿山水不仅是董其昌很重要的一种代表性绘画风格,而且也体现了他的文人画思想。本文结合作品与文献,从绘画技法与理论两方面,讨论了董其昌所总结的青绿山水画脉络与风格特征,并兼及"北宗"画家与张僧繇、杨升、杨瑄等人的风格关系。文章同时论及了董其昌青绿山水画风格的形成及其对明清及近世画坛的影响。

Dong Qichang(1555-1636), followed by the literati artists, led the art reform movement in the late Ming period seeking to revive the tenets of the scholar-painter through the blue-and-green landscape representing the style of his works. A discussion is made about Dong's overview of the vein and style of landscape paintings from techniques and principles based on works and documents, and about the interrelations between the northern artists and Zhang Sengyou, Yang Sheng, Yang Xuan in style, and then about the making of Dong's art style of landscapes and his influence upon the art academy of the Ming and Qing and the modern times as well in the thesis.