摘要
自唐朝设官窑以来,至清朝末年,官民窑一直处于并存的状态。唐朝的官窑就是我们现在称为大盈库的邢窑白瓷,而与大盈库窑器相近似的白瓷在当时的民窑中均有烧造,有的也仿官窑器在器底刻上“盈”字,以充官窑器,但毕竟是民窑,无论型制、釉水、胎质均无法与官窑相提并论。到了宋朝,被钦定为官窑的“汝哥官定钧”五大御窑虽然鼎立于南北,但围绕这五大官窑的广袤土地上也林立着各种大大小小的窑场,他们除了生产大量的民间日用品外,同时也仿制一些类似官窑的器皿。
From the establishment of Guan Ware in the Tang Dynasty to the end of the Qing Dynasty, the Guan Ware and folk kiln were in a condition of coexistence. The author explains the connection and the distinction between the Guan Ware and folk kiln and puts forward the view that the collection level in one area influences the vision and level of its connoisseurs. Besides, the appreciation level of connoisseurs would be promoted by appreciating the rare and top-level Guan Wares.
出处
《浙江画报》
2018年第10期62-64,62,共3页
Zhejiang Pictorial