摘要
小说《流逝》中的三位女性虽然接受了毛时代社会规训机制的改造,确立了被改造者的政治身份,但并不意味着她们成为指涉政治内容的"空洞的能指",女性能指自身的性别叙事依然存在。这种性别叙事承载着丰富的历史内涵,不但指向了女性本身的主体建构,而且这种变化的女性主体建构又表征了国家现代化想象。
This article mainly discusses the deep meaning of Liu Shi from the perspective of gender research. Although the three women in the novel have accepted the transformation of the social discipline system in Mao's era and established the political identity of the reformed person, they become the political content of the " empty sign", women Signifier of their own gender narrative still exists. This kind of gender narrative carries a rich historical connotation, not only points to the subject construction of women itself, but also the change of female subject construction and characterization of national modernization imagination.
作者
洪德志
徐妍
Hong Dezhi;Xu Yan(Ocean University of China,Qingdao,Shandong 266100)
出处
《职大学报》
2018年第5期6-11,共6页
Journal of the Staff and Worker’s University
关键词
《流逝》
被改造者
女性主体建构
国家现代化想象
Liu Shi
transformed
subject construction of women
national modernization imagination