摘要
拓拔斯和乌热尔图都是饱含前瞻性和反思性思想的作家,他们并没有怀着让读者猎奇的心态去创作,而是以真挚又冷静的目光透视自己的族群,并以高度的认同感和责任感呈现家园和文化的传统与现状,在进行文化寻根的同时努力探寻民族的最佳出路。因而在他们极具特色的《最后的猎人》和《一个猎人的恳求》中,闪耀出原乡情结、生态主义和去殖民化的光芒。又因同样收到汉文化、资本主义和现代文明的冲击,两位作家的创作都力争在"现代性"中凸显"民族性"。
Both Tuplas and Uze M Tu are writers full of forward-looking and reflective thoughts. They do not create with the intention of making readers curious, but with a sin-cere and calm eye to see through their own ethnic groups, and with a high sense of identity and responsibility to present the traditions and status quo of their homes and cultures, and to seek cultural roots. At the same time, try to find the best way out for the nation. There-fore, in their distinctive Le Dernier Trappeur and The Request of A Huntsman they express the original complex, ecologism and decolonization. Because of the same impact of Han culture, capitalism and modern civilization, the two writers strive to highlight "nationality" in "modernity".
出处
《职大学报》
2018年第5期30-34,共5页
Journal of the Staff and Worker’s University
