红色文化的艺术阵地:抗战时期文工团组织模式研究

Art front of red culture:Research on organization pattern of military arts troupe during the Anti-Japanese War Period

抗战时期,作为红色精神文化载体之一的文工团组织模式逐渐形成。该模式采用间接领导与直接管理相结合的方式,坚持文艺为政治服务的宗旨,以短小精悍的文艺演出形式为工农兵演出。文工团起源于红军时期的随军宣传队,初创于"文协"领导的西北战地服务团,成熟于"边区文协"组建的抗战文艺工作团和中国共产党直属的西北文艺工作团,此后,推广于东北、华北等解放区。由于具有明确的指导思想、服务对象、演出形式等,文工团逐渐发展成为随军政治宣传组织,并在中华人民共和国成立初期参与大城市的文艺改造运动,从而促进改造旧社会等诸多措施顺利进行。

During the Anti Japanese War Period, military arts troupe pattern was established as the carrier of red culture. With a combination of direct leadership and indirect management from CPC, the troupe was designed to serve politics with arts by giving short but subtle performances for workers, peasants and soldiers. The military arts troupes originated from the army＇s propaganda team in the Red Army period and took shape in the Northwest Field Service Troupe under the leadership of All China＇s Writers Association. This pattern matured in the Anti Japanese War Cultural Troupe by Shanxi Gansu Ningxia Border Region I.iterature and Arts Association and the Northwest Art and Cultural Troup under the direct leadership of （;PC. Hereafter, this pattern flourished in the northeast and northern China liberated areas. With clear guiding ideology, service object and performing forms, military arts troupe became a political advocacy organization, and participated in the literature and art movement of large cities at the beginning of the establishment of People＇s Republic of China, so as to ensure the smooth implementation of many measures such as the transformation of the old society.