论《山本》的叙事空间

The Narrative Space in The Origin of the Mountain

贾平凹的长篇小说《山本》以传奇笔法,将秦岭地区的风土人情、宗教信仰、政治斗争等多方面内容融进秦岭世界。其中主观与客观意象共存,赋予了文本虚实相生的美学特征,建构了苍茫神秘的自然空间,并且以"安仁堂""地藏菩萨庙""县国民政府"等场景为载体,表现了隐遁避世、玄学造诣、神仙崇拜、众生平等、轮回转世等宗教观念,在复杂的历史与政治书写中融入佛道话语,建构了相互影响又相对独立的佛道与政治空间,其中饱含作者对于生活与存在、历史与现实的哲学思考。

Jia Pingwa＇s novel The Origin of the Mountain uses legendary techniques to incorporate Qinling region＇s customs, religious beliefs, political struggles and other aspects into the Qinling world. The coexistence of subjective and objective images has given the aesthetic features of the text to be true and false, and has constructed a natural space of the mystical and enigmatic nature,it has also been supported by scenarios such as An Ren Tang, Jizo Bodhisattva Temple, and the National Government of the county, the concept of concealing ideas, metaphorical attainments, worship of immortals, equality of all beings, and reincarnation of the world are expressed. Buddhist and Taoist discourses are integrated into the complex historical and political writings, and Buddhist paths and political spaces that are mutually influential and relatively independent are constructed. It contains philosophical thinking of the author on life and existence, history and reality.