论高适诗歌的音乐美学

Research on the Music Aesthetics in Gao Shi's Poetry

边塞诗人代表高适在不少诗作中都谈到了音乐这一艺术形式,其诗作"多胸臆语,兼有气骨",其诗呈现出来的高昂风骨正是盛唐气象的体现,而这种风格的形成离不开诗歌的音乐美这一要素。比如其《燕歌行》在句式、格律上极富音乐美感,《和王七玉门关听吹笛》则直接将音乐写进诗作,将情思诉诸吹笛。文章从高适诗歌中的乐与政、音乐意象、以及音乐形式美和音义内涵美等三个方面探析高适诗歌创作中的音乐美学。

Gao Shi, representative of frontier poets, talked about the artistic form of music in many of his poems, which are expressive freely and full of vigour and boldness. The high style in his poems is the just embodiment of the Tang Dynasty, and the formation of this style can not be separated from the musical beauty of poetry. For example, his Yan Ge Xing is rich in musical beauty both in sentence pattern and metrical pattern, while Listen to Flute With Wang Qi at Yumen Pass directly includes music into and conveys emotions to the flute. This paper analyses the music aesthetics in Gao Shi＇s poetry from three aspects： music and politics, musical image, the beauty of musical form and the inner beauty of sound and meaning.