在经济与科技的双维塑像

To Establish a Statue on Economy and Science & Technology

在新时期以来的巴蜀影视艺术领域,生产制作了出了不少堪称优秀的电视连续剧作品,这些作品虽然大多是基于对四川现当代文学名家的小说作品的改编,但无不是对于中国社会的历史真实与现实存在的审美观照,同时也在电视艺术接受市场上引起了不同程度的社会反响。本文以其中的《都市放牛》和《国家使命》两部作品做为主要分析对象,一方面是探究它们在创业者形象塑造上体现出的美学新意,另一方面是梳理其在巴蜀影视符号系统中的建构意义,以此为今后的电视连剧创作提供一定的理论借鉴。

In the film industry of Bashu areas, some TV series which can be ranked among ＂the excellent＂ have been produced since the new ages. Though most of them are adapted from novels of famous Sichuan writers, it cannot be denied that they represented aesthetically the history and fact in China and at the same time, arose waves in the acceptance market of TV series. This thesis reports an empirical study on two cases： Urban Cowboy and National Duty . We spot their aesthetical creation in depicting entrepreneur in TV series and analyze their significance in reconstructing the unique code system of Sichuan film culture, which can serve as a theoretical reference for future creation of TV series.