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民国时期旗袍纹样的装饰图形表现

The Decorative Arts of the Cheongsam Pattern in the Republic of China.
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摘要 以民国旗袍纹样的装饰图形作为研究对象,据现有研究中缺少的纹样装饰图形为中心点,通过对江南大学"传习馆"丰富的旗袍服饰和书籍图片考察以及文献资料相互印证的方式,在造型语言的特征、文化内涵与装饰艺术等方面对民国时期旗袍中具象形图形纹样、抽象形图形纹样进行分析与探讨,为现代旗袍设计提供参考。 Cheongsam is regarded as the traditional female dress which can embody Oriental female's appearance and charm. The cheongsam style of the republic of China gives a pleasing visual sense, and its cultural heritage is regarded as the resplendent treasure of Chinese traditional costume. The authors mainly take cheongsam decoration pattern of the Republic of China as its research object, "Chuan Xi Guan" in Jiangnan university has rich Cheongsam pattern document to classify this research. Through the analysis and discussion of modelling language characteristics, cultural connotation and decorative patterns, this article aim to study the Chinese dress pattern in the clothing decoration design performance in the republic of China.
作者 王蔚桦 崔荣荣 WANG Wei-hua;CUI Rong-rong(College of Textile and Garment,Jiangnan University,Wuxi Jiangsu 214122,China)
出处 《武汉纺织大学学报》 2018年第4期18-21,共4页 Journal of Wuhan Textile University
基金 国家社会基金艺术学重点项目(15AG004)
关键词 民国 旗袍 纹样 装饰 the Republic of China cheongsam pattern decoration
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