摘要
米芾作为宋四家之一,其对后世的影响是巨大的。"卑唐商晋"、"入古出新"的书法艺术审美观贯穿其整个书法美学思想体系之中,对后世书学思想及理论产生了重要影响,对于推动书法理论的发展具有深远的意义。本文运用作品内容分析、比较分析、文献分析等研究方法,从米芾书法作品的刚柔相济出发,来了解米芾师大家之长对其书法学习之路的影响,而后推陈出新形成自身的书法艺术特色,借助书家米芾的学习之道来分析今人学习书法性情对其艺术发展所面对的问题及应对。
As one of the four Song families, Mi Fu's influence on later generations is great. The aesthetic aesthetics of calligraphy art of "Pei Tang Shang and Jin" and "entering ancient times out of new" runs through its whole calligraphy aesthetic thought system, which has an important influence on the thought and theory of calligraphy in later generations, and has a profound significance for promoting the development of calligraphy theory. Based on the research methods of content analysis, comparative analysis and literature analysis, this paper tries to understand the influence of Mi Fu's family on the way of calligraphy learning from the point of view of Mi Fu's calligraphy works. Then, through the introduction of the new to form its own calligraphy art characteristics, with the help of the calligrapher Mi Fu's way of learning to analyze the modern people learn calligraphy temperament. The problems and solutions to the development of its art.
作者
董超众
黄汉军
DONG Chao-zhong;HUANG Han-jun(School of Art and Design,Wuhan Textile University,Wuhan Hubei 430073,China)
出处
《武汉纺织大学学报》
2018年第4期64-67,共4页
Journal of Wuhan Textile University
关键词
书法
米芾
刷字
八面出锋
美丑
calligraphy
Mi Fu
calligraphy
eight facets
beauty and ugliness