摘要
类型化商业电影的叙事策略之一就是通过塑造带有功能性质的人物承载叙事、增强感染力。韩国电影《熔炉》(2011)通过角色在剧情中所承担的功能塑造人物,按照普罗普功能人物理论基本上划分为受害者、拯救者和施暴者。本文以《熔炉》为例,着重分析功能型人物的设置与影片叙事的关系。
One of the narrative strategies of the typed commercial film is to carry the narrative andenhance the appeal by shaping the character with functional properties. The Korean film Silenced(2011)shapes the characters through the functions of the characters in the plot and it is basicallydivided into victim, savior and perpetrator according to Propp's functional character theory. In thispaper, Silenced as an example, focuses on the relationship between functional character of the movieset and narrative.
作者
魏晨捷
刘怡杉
WEI Chenjie;LIU Yishan(School of Journalism and Communication,Guangzhou University,Guangzhou 510006,China)
出处
《北京印刷学院学报》
2018年第10期72-75,共4页
Journal of Beijing Institute of Graphic Communication
关键词
《熔炉》
人物功能
受害者
拯救者
施暴者
Silenced
character function
the victim
the savior
the perpetrator