中国文学史视野中的“鲁郭茅巴老曹”——以两部西方汉学家的《中国文学史》为中心

“Lu Guo Mao Cao Lao Cao” in the History of Chinese Literature in the History of Chinese Literature by Two Western Sinologists

孙康谊、宇文所安主编的《剑桥中国文学史》和梅维恒主编的《哥伦比亚中国文学史》是两部融中国古代文学和现当代文学为一体的文学史著作。在该著中,现代文学的传统经典大家"鲁郭茅巴老曹"在中国文学史的格局中呈现出"去中心化"特征。"鲁郭茅巴老曹"在大陆学者的现代文学史著作中享有"唯我独尊"的绝对权威地位,而在《剑桥中国文学史》和《哥伦比亚中国文学史》的"现代文学"格局中,"鲁郭茅巴老曹"的文学成就和经典地位虽得到认可,但经典的权力等级结构却被消解,"鲁郭茅巴老曹"不再高高凌驾于其他现代经典作家之上,而和其他经典作家形成一种平等互补的关系,共同组成"群星闪耀"的文学"夜空"。

The Cambridge History of Chinese Literature edited by Sun Kangyi and Yuwen Suanand the Colombia History of Chinese Literature edited by Mei Weiheng are two works of literary history that combine ancient Chinese literature with modern and works, the traditional classic of modern literature, ＂Lu Guo literary history shows a ＂de centralized＂ feature. ＂Lu Guo contemporary Chinese literature. In these Mao Ba Lao Cao＂ in the pattern of Chinese Mao Ba Lao Cao＂ enjoys the absolute au thoritative status of ＂only one respects＂ in the works of modern literary history of mainland scholars, while in the ＂modern literature＂ pattern of the Cambridge History of Chin^ese Literature and the Colombia History of Chinese Literature , the ＂Lu Guo Mao Ba Lao Cao＂ has been recognized as a liter ary achievement and classical status, but the classical status has been recognized. The power hierarchy has been dispelled, and ＂Lu Guo Mao Pa Lao Cao＂ is no longer superior to other modern classical writ ers, but it forms an equal and complementary relationship with other classical writers decorating aliter ary ＂night sky＂ with ＂stars shining＂.